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Most people never think about how a song ends up under a pivotal scene. A character drives away, the camera pulls back, a vocal swells, and the moment lands. Behind that moment sits a long chain of decisions involving a music supervisor, a brief, a budget, a clearance process and, increasingly, a deliberate effort to give local artists a fair shot.
Recently, I attended TIFF 2026’s Perspectives from the Ground Up: Ontario’s Approach to Developing the Creative Economy, a panel examining how government, studios and industry organizations are supporting Ontario’s film and television sector. From production incentives and infrastructure to independent filmmakers, emerging media and Toronto’s diverse creative talent, the discussion offered a practical look at the people, programs and partnerships shaping the province’s creative economy.
For six weeks this summer, Toronto did something few cities ever get the chance to do. It hosted the world. Spain capped an outstanding tournament today with a hard-fought 1-0 extra-time win over Argentina, Ferran Torres scoring the winner in the 106th minute after Emiliano Martinez turned in a record-setting night in goal, a final worthy of everything that led up to it.
Skepticism has become the default posture of most audiences, and it did not arrive by accident. Years of overpromising campaigns, algorithm-optimized copy, and content built to convert rather than inform have trained readers, viewers and listeners to treat promotional messaging as noise to be filtered out.
Toronto has spent the better part of June living inside a global tournament, and Tuesday afternoon at CF Toronto Eaton Centre made that reality impossible to miss. Shoppers moving through the mall's MAC Court stumbled onto a fully built broadcast desk, complete with monitors, microphones and two recognizable faces from Canadian sports television calling the action as though it belonged on SportsCentre.